Society, Culture and Arts

This book challenges the conventional perspective of what ‘counts’ as participatory online culture. Presenting ‘lurking’ on social media newsfeeds as a communication and literacy practice that resists dominant power structures, it offers an innovative approach to digital qualitative methods.

This book shapes a new language of social theory that allows people to embody their differences with a sense of dignity and self-worth, enabling them to come to terms with the complexities of their lived identities in a post-modern globalised world.

This is the first book to make the link between popular culture and social problems. Drawing on historical and topical examples, the authors apply an innovative theoretical framework to examine how facets of popular culture shape how we think about, and respond to, social issues.

Women, Politics and the Public Sphere focuses intellectually on the legacy of eighteenth century women thinkers, writers and political philosophers in understanding the emergence of women public intellectuals in the US and UK and highlights how women public intellectuals now reflect much more social and cultural diversity.

This book is the first to go inside women’s work and family lives in a year of working flexibly. The private labours of going part-time, job sharing, and home working are brought to life with vivid personal stories, concluding that there is an opportunity to make employment and family life work better together.

Bringing together leading scholars, this international collection examines different dimensions of ageing and ageism in a range of media and how older adults use and interact with the media.

In the first dedicated analysis of its kind, international experts review the rationale and results of arts-based approaches to research, teaching, and practice in social work. The book presents examples of their use and methods to evaluate and theorise results and shows how arts can form outputs from research too.

Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings attention to marginalized perspectives within mainstream criminology.

This book explores how digital technologies shape our opinions and interactions, often in ways that limit our exposure to diverse perspectives and therefore can fuel polarization. Drawing on the ancient art of controversy, (arguing all sides of a case) it offers a way to revive public debate as a source of trust and legitimacy in our society.

Focusing on Ghana, this book explores the intersection of dominant children's rights principles with lived realities. Challenging one-dimensional portrayals, it advocates for more holistic approaches to the study of children’s lives and children’s rights realization in Southern contexts.

Frances C. Galt explores the role of trade unions and women’s activism in the British film and television industries in this important contribution to debates around gender inequality.

This book is the first comparative study of media technologies in Japan and the two Koreas which illuminates the peculiar geopolitical relations between the three countries through their development and use of digital technologies, drawing from political economy, cultural studies, and technology studies.